Since 1350 Italian pottery artwork has amazed millions of people. The majestic and intricate designs have made Italian pottery coveted art pieces for hundreds of years. Maiolica pottery is Italian earthenware that has specific characteristics that include opaque white tin oxide glaze. Since its inception, Italian pottery is timeless because it never fades over time. Often associated with the Renaissance, the pottery has made an impact on traders and artisans and collectors. As pottery kilns improved over the years, the early processes were limited to two color variations: manganese–brown and copper-green. However, as the processes changed, so did the ability to manipulate the ceramics and the colors.
Early Italian pottery focused specifically on religious iconography. Artisans in the past were commissioned to work on pottery, and very few were allowed any freedom to their artwork choices. Today, Italian pottery is a prize of any collection. The techniques of the past when it comes to producing works of art are still coveted and since the ability to create any product with a multitude of designs and patterns, there is no end to the possibilities to Italian pottery ideas.
From ceramic dinnerware to vases and pitchers, Italian pottery is available to anyone across the planet. Nowadays, traditional and antique Italian pottery is pricey and finite. Nonetheless, because of the ability to mass produce products in exquisite detail and maintain an exceptional quality, Italian pottery can be something for everyone to own and even use for extravagant meals or holiday occasions. Centerpieces, canisters, candle holders, and benches are among the thousands of different options available for purchase at prices that anyone can afford.
If antique Italian pottery is still the flavor that will quench the craving, don’t despair, Italian artisans work as far back as the 16th century are available to purchase and as close as the Internet. Vintage and antique Italian potteries are unique and delicate and plentiful. When it comes to variations, most recognizable pieces are hand shaped and turned on a wheel, using refined clay. Once the art is happy with the results, the In Terra or green ware is left to air dry for a period of time.see this link here!
Then the dried work is placed in kilns to fire at about 1890° Fahrenheit (1030° Celsius). Kilns are monitored closely because it takes a considerable time for pieces to cool off. Any dramatic fluctuation in temperature, the Biscotto (fired work) will fracture or shatter. After the work has sufficiently cooled, the work moved into the glazing phase. The pieces are usually dipped or submerged in the glaze to ensure the work is entirely covered.see related news from http://www.newindianexpress.com/cities/chennai/Pottery-gets-a-leg-up-at-this-terracotta-fair/2016/06/14/article3480709.ece
Once the pieces are ready, fired and glazed, the only step left to finish the work is adding designs. Artists have thousands of ideas to apply to the work. To ensure the work is permanent, the pieces are fired again at around 690° Fahrenheit (920° Celsius). Other than the refining clay materials and the increased sophistication of the pottery kilns, the same process used in the 1300s is still used today.